Muted attention-grabbing. Interview with Jose Gonzalez
A velvet voice, complemented by a filigree guitar playing, sounding on several albums. Swedish singer Jose González seems to be an artist who cares little about the attention of the…

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Muted attention-grabbing. Interview with Jose Gonzalez

A velvet voice, complemented by a filigree guitar playing, sounding on several albums. Swedish singer Jose González seems to be an artist who cares little about the attention of the general public.
While in Berlin, he explained to Mark Riemann why he was so secretive, admitted how to deal with anger, and reflected on the benefits of self-pity in songs.

Your music has a constant tendency to get lost in the background. Doesn’t such a characteristic hurt the creative ego?
I understand that my musical style is too gentle and soft to attract attention. I cannot keep up with consumer goods on the radio. But I do not think this is bad. It’s about the ratio of “background music” and hit songs. I play for fun. I use music as a Trojan horse and write songs of such a plan that they can be Continue reading

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Plunging into anxiety: an interview with Palma Violets
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