aesthetics and sounds
Jihadists threaten to cut off languages to Malian musicians, but the Songhoy Blues group, wishing to achieve a public outcry, continues to play. Belonging to some people and religion do not play any role for them. They are together to unite the rest.
Songhoy Blues are 5 guys from Mali. Alu, Garba and Umar Toure, as well as Nathaniel Dembele. They came together to use the guitar, bass, drums and vocals to draw the attention of the public to Islamic fanatics and their ban on music.
Background: in 2013, a group of Islamists established a dictatorship in northern Mali in accordance with their interpretation of the Sharia. “Jihadists censor even music,” says vocalist Alu Toure, “threatening Continue reading
It was 2001, and humanity was entering the new millennium with hope and fear. Behind – a century of scientific and technological progress, bloody world wars, space exploration, postmodernism and the formation of popular music. Hundreds of musical genres and currents were born, strengthened, evolved, captured the world, crawled to the sidelines, went into oblivion and resurrected in a few decades.
In the late 90s, rock bands increasingly began to turn their eyes to the past. The Strokes and The White Stripes Americans and The Vines Australians, inspired by the aesthetics and sounds of the 60s and 80s, breathed life into garage rock and paved the way for countless indie bands from the 2000s. In Britain, the popularity of Britpop was gradually declining, and Tom York and his associates hit electronic Continue reading